Day 25: little things that make a difference
I once accidentally told everyone my lunch cost $7,330.
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DAY 25
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DAILY DROP
THE LITTLE THINGS
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little things that make a difference
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Light one today. No filming, no posting. Just a handful of tiny quirks I’ve picked up that don’t seem like they’d matter and really do.
Starting with the one that still makes me laugh.
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/ THE $7,330 LUNCH
I had an overlay that said “in case you didn’t know this order is $7, 330 cals and 30g of protein.” Perfectly clear when I wrote it.
Then it wrapped onto the next line and everyone read $7,330. My little lunch, apparently seven thousand dollars.
Nobody misread it because they weren’t paying attention. They misread it because that’s genuinely what it looked like. So now I always read my overlay back like someone who has never seen it before, especially anywhere numbers and commas end up next to each other.
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/ A FEW MORE
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I lowercase almost everything
This one is my branding more than a rule. It’s just my style, modeled a lot after Molly Yeh honestly. Lowercase reads like a person talking to you, where Title Case Reads Like A Headline and ALL CAPS reads like an ad.
The bonus is that once everything is lowercase, a capital becomes a tool. If one word is in caps in an otherwise lowercase line, the eye goes straight to it. You can’t do that if everything is already capitalized, because nothing stands out when all of it is shouting.
Yours might be this, or yours might be something completely different. What matters is that it’s consistent, so your stuff starts looking like your stuff.
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no period at the end of a hook
A period closes the thought. Leaving it off keeps things moving into whatever comes next. Tiny, but you can feel the difference when you read them side by side.
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numbers as numerals
“30g” stops the eye. “Thirty grams” is just more words to read. Digits are visually different from letters, so they catch attention in a block of text.
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don’t repeat your overlay in the caption
If your first caption line is the same sentence that’s already on screen, you’ve spent your best real estate saying something they just read. Use it to add, not repeat.
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/ THIS GOES FOR THE VIDEO TOO
not sure about your intro? lead with your most interesting clip
These little decisions aren’t only about the text. If you’re not confident the opening of your video is doing enough, don’t start at the beginning of the recipe. Start with whatever clip is strangest or most satisfying to look at.
In yesterday’s reel I opened on grating an apple. People genuinely cannot tell what they’re looking at, and they tell me so in the comments. Which means they watched, and then they commented. Both of the things I wanted, from one clip.
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/ THE PART WORTH BEING PICKY ABOUT
Now please don’t read all of that as “everything has to be perfect.” It really doesn’t. You’re a person making food, not a machine making content, and honestly the post you throw together in ten minutes is often the one that takes off.
The part worth being deliberate about is small: the text, and the first few seconds. That’s it. That’s the bit that can be the difference between 500 reach and 20k on the same video, on a small account or a big one, all because it got people past the opening.
Everything after that? Loosey goosey is completely fine. It doesn’t need to be perfect, it needs to be good. And once you start noticing a common thread in what’s working for you, that’s when you get strategic and repeat it on purpose.
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Give yourself 10 minutes. That’s it.
Take a video you’ve already edited and set a timer for 10 minutes. In that 10 you pick your intro clip, write the text hook, and choose the music. Then post it.
The timer is the whole point. Picking a good intro is a muscle, and muscles get built by doing the thing over and over, not by staring at one post for an hour trying to get it perfect. You’ll get faster at this than you think, and the fast ones are often the good ones anyway.
And if you’ve got a little quirk of your own, drop it in the chat. I love quirks!
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Talk tomorrow,
Mika
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